Charge By Lilydale CONTENT: A little V, a little MSR, a little UST, a little strange. TIMELINE: Hollywood A.D. post-ep RATING: PG FEEDBACK: Very much appreciated. Feed me at lilydale10@yahoo.com WEBSITE: http://www.channel1.com/users/lilydale/fic ARCHIVE: Sure. Please let me know so I can visit. DISCLAIMER: These characters are not mine. They belong to 1013 Productions, Chris Carter, and Fox. SUMMARY: After attending their big movie premiere, Mulder and Scully spend a night on the town. But they’re not alone. Many thanks to Alanna, Emma Brightman, and Pteropod for being wonderful people and for lending me their excellent beta services. ---- These people are nuts. They are showing me the town, though, so I probably shouldn’t complain. Well, technically, they’re just driving me around town and not letting me actually look around much, but I’m not going to quibble. I’m happy to finally be out and about and to enable something fun. Or enable the potential for fun, I should say. These people really are nuts. Here they are in the City of Angels in their fancy formal clothes, with unlimited funds at their disposal, with all the time in the world, and they end up here. I’ve heard that these two often come at things a little Star Trekky and that they’re often attracted to, shall we say, oddities, but I would not have expected this. "See how that hovering cluster of lights just moved slightly up and to the right then darted down and to the left?" Mulder talks like he’s teaching elementary science. "Spooklights, sometimes called ghost lights or earth lights, float in the air like illuminated vapor pools or as strings of lighted blurry orbs, like the ones by that hill over there. They can inexplicably dip and dive through the air. Fairies are theorized to travel like that." "The lights are not fairies, Mulder." "They could be," he pouts. I hear what sounds like a loud motorcycle zoom by on the winding road about a few hundred feet behind our car before he speaks again. "Or are you holding out on me, Scully? Have you seen fairies before? Do you know their fairy ways?" Her face may have crinkled or her shoulders may have shrugged or her arm may have snaked around his bicep and given him a teasing little squeeze like she did an hour or so ago because he chuckles. "Actually," Scully says, not giving the sound of his laughter time to wave away into silence. "Actually, earth lights are often indicative of faulty geological regions such as the one we’re in, fraught with fault lines and plagued by earthquakes and other land disturbances. The lights may materialize as electrons slowly discharge from the ground and into the air as tectonic plates expand and contract in areas of geological faulting." "Way to burst my bubble, Scully," he mock-whines. "You didn’t let me finish. Earth lights are also frequently described by purported alien abductees, so although we may not be watching a fairy swarm or tectonic light, we may be witnessing a close encounter." Someone pops open a car compartment of some sort, and I hear some plastic crumpling. "Or about to experience one," Scully adds with a lilt to her voice. "I can’t believe you just said that." "Someone had to. We were both thinking it, right?" "Maybe." "Well then." The sound of a shell cracking echoes through the car’s interior. Then another. And another. The cracking surprises me because these two have been chattering non-stop since we left that eerily decked out soundstage and drove to wherever it is that we are now. I’m used to silence, but it seems like these two are afraid of silence. What’s to be afraid of? I crave speech. Also, it’s true, what I’ve heard people say. When Agents Mulder and Scully talk with each other, it’s like no one else is around. Or at least, they don’t seem to take the slightest note of who’s around. Perhaps they should. I mean, they know I’m here, but they’re not giving me remotely the amount of attention that I deserve. Their mouths, on the other hand, are an entirely different subject. They’re getting plenty of attention. Yak, yak, yak. Crack, crack, crack. "You never eat these things, Scully." "Never say never, Mulder. Tonight’s all about new experiences, in a way," she confesses. "Attending a Hollywood premiere. Wearing a dress somewhere other than church. Looking out over a near-dark city from a parked car." "You’ve never parked before? Why Agent Scully, surely you jest." Mulder has sounded so smug, so confident, all night. It’s like his whole existence is one giant joke, one never-ending pun and innuendo contest. "Not with you," Scully whispers. She’s sure enough to say it but not with any kind of authority? Apparently, espousing various theories about earth lights is a very different thing from recalling late-night parked car memories. Nuts, I tell you. Mulder matches her whisper. "No, not with me." Contest over. Another echoing crack. It must have been Scully because Mulder gently says, "Until now, of course." I hear plastic crumpling again, a latch clicking closed, and a very soft sigh. Then Mulder exclaims, "Geez, Scully! Your hand is like ice!" "Then give it back," she soundly demands. "I’ll warm it up." That’s when I feel it. Her tiny hand slides right over me. (Mulder’s right - it is like ice.) Each one of her fingers rubs me back and forth, like she’s playing a miniature piano, composing our own private symphony. It’s exquisite. I’m not sure if she’s warming her hand or not, but I really don’t care. Why did Mulder ever let her hand go? I’m not sure if she’s nervous or if she’s actually trying to generate some heat with all this fiddling. I’m guessing that it’s nerves by the erratic speed and prolonged duration of her finger ministrations, that she’s trying to stall for time by hiding her hands. By the fact that she’s paying me any attention at all. One finger slides back and forth along my long ridge while another toys back and forth along my row of raised bumps. Good lord, why did Mulder ever let her hand go? Cold be damned! Interrupting my elation is the realization that the car is quiet for the first time all night. I can even hear leaves scraping across gravel as the wind blows them outside the car. "Wow, did you see that, Scully?" Mulder says with wonder. "Many testimonials exist of earth lights disappearing as mysteriously as they arrived, in bursts of unexplainable color, but reading about it can’t prepare you for that." Ah, looking out the window. I guess Mulder is playing the avoidance game too. Curious, these two agents. "That was beautiful." The words float out of her mouth like iridescent soap bubbles. She takes a breath as if she’s about to speak again, but Mulder speaks first. "According to folklore, when fairies manifest as clouds of light like that, people are drawn to them." Mulder sounds enchanted, completely smitten with the lights. Or with something. "They follow the lights, will o’ the wisps, oftentimes without thinking, without rationalization. They just become transfixed and follow the lights." "But Mulder, surely you know that we didn’t get drawn to this ridge by fairy light. Fairies don’t exist," she softly laughs, "and clearly we--" "Yes, Scully, I know," Mulder interrupts, "but hear me out." She huffs an acquiescing huff, and Mulder continues. "Fairy lights are often mischievous or malicious, drawing people who follow them from the well-known beaten path and into dangerous areas, places fraught with uncertainty and peril. The lights can be blinding, blocking all other experiences, other people, other lives, becoming the sole focus. Fixation." He draws in a deep breath and exhales. "And usually, when people reach what looks like the source, the home, of the lights, the lights abruptly disappear, perhaps not resurfacing for days, months, or years, if ever. The people are left with only their lonesome tales of the light and cuts along their ankles from where they ran through the thrushes on their way to those alluring lights." "We’re not in any danger here, Mulder." "Maybe, maybe not. Fairies can be pretty deceptive." Scully grunts a frothy "Hmpf!" Mulder ignores it and goes on. "It’s not limited to danger, Scully. Mischief, remember? The lights can confuse people, not just to the origin and cause of the lights, but to their own orientation, misdirecting people in their journeys, confusing their sense of right and wrong, or perhaps more simply, twisting their spatial orientation, distorting up and down, left and right." "Do you want me to drive back to the hotel, Mulder? The cop who’ll pull us over may not be as gracious as me in listening to your fairy spatial displacement theory." "No." At Mulder's lazy but serious response to her sly quip, Scully grazes her fingers all along the length of me again. I hadn’t noticed that her fingers had ever stilled, but maybe fairies bamboozled me. She feels much warmer now. Mulder continues, "I just mean that even though lights look beautiful in the sky, are fascinating to watch, and can be enticing to chase, they may be more trouble than they’re worth." I hear leaves rustling again for what feels like an interminable time. Scully interrupts the wind songs. "You really think so?" "Yeah. I do. Now." His enunciation is clear. Precise. Scully must know what this means. "You know, Mulder," Scully replies with the lazy pace and golden color of honey, "I doubt that those were fairy lights, but I won’t deny that mysterious lights were out there." He must look insanely intrigued because Scully says in a playfully defensive tone, "Well, there were. And they were quite enticing." She pauses and says with dream-like conviction, "Near-consuming and enticing." That seems to placate him because she continues. "However, I think those lights were more about plates shifting than fairies taunting." "You think the earth moved?" His question sounds utterly sincere. Scully’s response is equally heartfelt. "That’s a little too dramatic, Mulder, but, yes, in a way, the earth moved. Plates shifted." "Light came out," he says as if finishing her thought. "Right. We were in the right spot at the right time, paid attention, and were lucky enough to see the lights fly." She pauses. "But the light was from electrons, Mulder, not fairies," she emphasizes yet again. She sure seems to enjoy making that distinction. "All matter includes electrons, Dr. Scully." He sounds quite pleased with himself. "Moreover, Mulder, once plates shift, they can’t go back to their former position. They’ve relaxed their tension, emitted light, and settled into a new position of strength, ready to withstand another round of stresses." "And the world around it continues to operate, business as usual. That all makes a lot of sense," he admits. "Agent Mulder, does that mean you’re giving up the fairy theory?" Scully asks with an amused edge. "No," he says with feigned annoyance. "It’s just that I am willing to embrace the theory of a tectonic light show, especially since you explain it with such rational conviction." "Just like I’m saying it could have been fairies." "Who are you, and what have you done with Agent Scully?" Mulder teasingly insists. "C’mon, Mulder," Scully whines with what has to be a toothy grin. "You know I’m just laying out the possibilities. Not eliminating any options until they’re disproven completely and scientifically." Scully shifts herself around on the car seat, turning more to her left, her coat grazing softly along the seat’s leather. "We have no proof that the light was fairy light *or* that it was tectonic. I’m just saying that tectonic light is the more plausible explanation given the circumstances. And given the fact that fairies don’t exist." "So, Scully, do you want to drive closer to the hill and--" "No, Mulder," she interrupts, causing Mulder to emit a pitiful little protest squeak. Scully snickers and keeps talking. "Let’s let it go. Whatever it was, it’s gone and done with. Let’s let the fairies taunt someone else, let the seismologists worry about electron diffusion, and let's just live our lives." Mulder is silent. I don’t think it’s in defeat or acquiescence as much as surprise. In any event, Scully isn’t continuing to defend her position, so he must have acknowledged her somehow. Her hand suddenly twitches over me, more deliberate this time. She pulls her hands out of her pockets, drawing me out and twirling me in her left hand. Neither of them says anything. Both she and Mulder just watch me slowly spinning between them in the dark, cramped car interior. The way they’re intently staring at me with glazed and dilated eyes, if I didn’t know any better, I’d say that I’m a real life alluring fairy myself. You’d think they’d never seen me before. Scully interrupts the brief silence, slowly, deliberately drawing her eyes up to peer at his face, and says, "So...Mulder...have anything insanely expensive you’d like to do? Anywhere you want to go?" In way of response, Mulder starts the car and turns to look out the windshield. Although the night’s been full of sounds, the biting roar of the engine startles me. Mulder’s voice ripples over the noise of the engine, "Which way to Disneyland?" "Why, do you want go?" Scully sounds highly amused, playful. A surprisingly wide grin lights up her face. "I think they’re probably closed at this hour, Mulder." She still has that smile despite that sad revelation. "It’s just as well, I suppose," Mulder enigmatically drawls. "Our hotel has an arcade. That's like an amusement park." "We have the bureau credit card and you just want to go back to the hotel?" Scully sounds incredulous. "You have a better idea?" Scully pauses, still twirling me in her hand. If I was really a smart card I could pipe up and scream out suggestions of where to go, of what to do. Don’t they realize that I might like a little adventure? Like to see something other than a dingy car rental office, a boring hotel lobby, and interchangeable gas station pumps? But, alas, all I can do is reflect the dashboard light into streaks of red and white lines across their serene faces. "Actually, no, I can’t think of anywhere else to go," Scully confesses as a sneaky little grin creeps across her face. "So I guess we’ll just go back." She releases a loud, exaggerated sigh. Mulder responds with a simple sly smile. The edges of his lips upturn only slightly, but he's clearly pleased with his destination victory. "Okay, then. Off we go." Before I can see their reactions to our departure from the fairy light lookout, Scully slides me back into her dark and lonely pocket. I guess her hands are warm now as she only drops me inside, her hand not staying to keep me company. The rest of her must also be quite warm since she slips off her coat, presumably tossing it a short distance to the backseat as I fly through the air. I guess it’s the closest I’m going to get to a ride on Space Mountain. "Watch where you put that freezing hand of yours, Scully." Scully must have demonstrated her new warmth because Mulder says, "Mmm...toasty. My other leg is going to start feeling neglected, you know." "Give me time," I hear Scully murmur under her breath. Mulder hears something too but didn't quite make it out. Rather than 'fess up, Scully teases Mulder's "Hmm?" with an ambiguous "I don't know." Maybe she added a devious smile to go along with her retort, though, because neither of them speaks, but the air still rings with noise. Right now the only sounds are the car’s engine and the crunching of tire rubber on loose gravel. After a few minutes one of them turns on the radio. We listen to a baseball game for a while, then one of them switches over to a jazz station playing a slow, soulful tune. Sadly, we don’t even make it through that one dreamy song before the station switches again. I suppose they're saving the mood music for later. We listen to a call-in show about gardening for the rest of the ride to the hotel. If we run into any slugs, boll weevils, or any other of an assortment of pesky creatures and fungi in the near future, we’ll be well-prepared. I’ve said it before, but I’ll say it again. These two are very, very strange. They have a golden ticket to the city and yet we spend the night lazily driving through town, sitting atop a light-visited ridge discussing fairies and faults, and learning about horticulture. I have no idea why these two are considered by some to be on the bureau fringe, testing the limits. Well, except for the fairy thing. Suddenly, in the middle of an explanation of root rot, the car shuts off, two doors snap open, and I hear Mulder say something about how they’re staying at the hotel and will get the car tomorrow, late tomorrow. And then, they’re gone. Scully didn’t even grab her coat. And that’s how the night ends. In darkness and in silence. ---- lilydale10@yahoo.com November 2001-January 2002