Via Sub Rosa, by Scifinerdgrl Part 7 CHAPTER 24 Gibson walked with assurance toward the back of the cave. In total darkness, he banged on one wall until they heard a creaking sound. They stepped back as the wall raised up diagonally, pulled itself backward along the ceiling. Doggett's eyes took a moment to adjust to the light inside the chamber. A bus and two vans sat in the center, each pointed toward a different tunnel, and boxes piled to the ceiling lined both walls. "This way," Gibson motioned. The boy effortlessly located another false wall, this time concealing a more conventional door. They entered into a diagonal shaft, lit at intervals by slits of natural sunlight beaming from above. A mining car sat at the bottom of a conveyor belt, and Gibson hopped in. "There's room for two," he said, patting the opposite side. Doggett stepped over the edge and found a pull-down bench where Gibson motioned. "Hang on!" Gibson warned. He reached over the side and pulled on a lever, starting the conveyor on its way to the top. As they approached what appeared to be a ceiling, a panel slid to the side, and they arrived at a flat portion at the top. Gibson pulled up on levers that were on either side of the car, then hopped out. Doggett followed suit, and the two climbed to the top on the metal rungs of a built-in ladder. He recognized his surroundings instantly. It was *his* garage. "Well I'll be damned!" he said under his breath. "What else do they have here?" Gibson pulled the false floor back into position. "You think all they deliver is bread?" Gibson asked cynically. "When you get the van running they have a lot of magnetite for you to deliver." "How do you know about that?" Doggett challenged. Gibson tapped his temple and replied, "Tomas is a better teacher than he knows!" "You're starting to scare me, Gibson," John said admiringly. "And I like it!" Gibson smiled and strutted toward the delivery truck. "Can I go with you?" "Sure," Doggett smiled. "You can ride shotgun." At the mention of guns, Doggett noticed Gibson's face turning grim. He patted him on the shoulder then said, "And that's not just a figure of speech. We're not letting this morning's incident change our plans." He grabbed a rag from a counter and handed it to Gibson. "Here, clean yourself up," he ordered. Gibson took it and wiped the evidence from his nose and eyes. John looked at him carefully, then winked and said, "She'll never know." ***************** Mary held a crutch out for Monica, and when she reached for it Mary let out a girlish squeal. Monica was almost painfully startled, until she saw Mary reach for her right hand. "You're engaged?!?!" Mary squealed again. "Why didn't you tell us?" Martha scolded, as she rushed to see the ring. "I didn't think I'd ever have to tell you two anything!" Monica laughed. "We don't spy," Martha said, still bent over Monica's right hand. Monica pulled her hand away and shot Martha a skeptical glance, to which Martha responded, "At least not when we don't have to," and grabbed for the diamond ring again. "Can we make your dress?" Mary asked excitedly. "We haven't even.." Monica started, but Martha interrupted. "And the wedding! You'll have it here, of course!" Martha said, waving her hands. "We've had weddings here before. Beautiful weddings! You'll love it!" As if drawn by an irresistible force, excited nuns began filling the infirmary, each offering to help with the wedding preparations in her own way. By the time John and Gibson arrived, the wedding was nearly completely planned. All that remained was to set the date. ********** That afternoon, Monica went early to the library, where she found Lita, a rosary wrapped around one hand as her other hand manipulated the computer's mouse. The girl's eyes darted over page after page of encrypted data, and she didn't hear Monica arrive. She jumped when Monica laid a hand on her shoulder and said, "What are you working on." Lita turned off the monitor and fingered her rosary, her lips silently mouthing the words that went with it. Monica sat down next to her and turned the monitor on. She squinted to read the screen, unable to make out any of it. "Do you understand this?" she asked Lita. Lita nodded without breaking the rhythm of her litany. "Does it have something to do with the Via?" Monica probed. Again, Lita nodded. Monica glanced at the rosary, which she hadn't seen in Lita's hand before. "Is this about what happened yesterday?" she asked compassionately. Lita's eyes watered but she was otherwise impassive. "Are you worried that someone like Gibson's parents will come for you?" Lita shook her head and walked to the far side of the room. She curled up on a window seat and looked out the window. Monica followed, and looked over the girl's shoulders to the view below. In the distance, she could see the ravine winding between tall mountains on either side, and inside the wall surrounding the monastery complex, just under the window, were rows of gravestones. "People you know?" Monica asked. Lita nodded almost imperceptibly, and Monica squatted to be eye-level with her. "You've seen some terrible things, haven't you? Did you see these people die?" By now Lita's eyes could no longer contain her tears, and tidy streams fell from each eye. Monica studied the girl's face, but Lita turned away. "Okay, I'll leave you alone," Monica conceded. "If that's what you want." She returned to the computer, and said nonchalantly, "Gibson and I will continue without you." As if in a trance, Lita rose from her window seat, took Monica's hand, and pulled her toward the door. They made their way to a row of five identical gravestones, each topped with an engraved image of a rose. "Who were they?" Monica asked. Lita sighed and looked deeply into Monica's eyes, but Monica did her best to block Lita's attempt to answer psychically. With a shrug of resignation, Lita answered. "Usted sabe," and knelt at the furthest grave, her rosary clutched in her hand. All five had died on the same day, and all but one had the same last name. "Lita," Monica whispered. "This was your family?" Lita shook her head and looked tearfully into Monica's eyes. "Were they others like you? Like you and Gibson?" Lita nodded and went to Monica, wrapping her arms around the tall woman's waist. Monica held the girl as the tears came, her shoulders shaking with pent-up grief. When Lita's tears had subsided, Monica whispered, "Gibson will be expecting us. You don't have to come to 'school' today if you don't want to." She stroked the girl's hair and added, "All this is fresh for him, and I can see it was hard on you... And he still feels badly about my leg..." Lita knelt before Monica and put her hand over the bandage. Monica watched as Lita focused on the back of her hand and stroked the bandage. Her leg felt warm for a moment then cooled as Lita removed her hand. "You'll be fine," the girl said, then walked back to the first gravestone. Monica followed, her sore leg feeling stronger with every step. "How did you do that?" she demanded. Lita turned and sighed. "Usted sabe," she said, then looked again at the gravestone. The name on the stone was Jesus Flores. "Your father?" Monica asked. Lita nodded and started on her rosary. "I'll leave you alone, then. See you tomorrow." Lita made no response, and Monica tip-toed away, unaware of Lita's eyes watching her while she continued mouthing the rosary prayer. Returning to the computer, Monica looked over the files that Lita had opened. The code seemed simpler than the one she had started learning. It reminded her of codes she'd used with her girlfriends while passing notes in junior high school. Subconsciously, she started trying to form words and sentences, turning things around in the ways that children commonly did, and she found herself mouthing words in Spanish. A few of the repeating patterns began to leap off the screen, and eventually she had worked out all of the vowels and many of the consonants. She extrapolated what letters she could, finding the words "Via Sub Rosa" throughout, and soon realized the next most frequent pattern spelled "Isla de las Mujeres." She looked up from the computer and saw Lita looking back at her. "You wanted me to see this, didn't you?" Monica asked. "What does this mean? Island of the Women? What women?" "Usted sabe," Lita said. Before Monica could answer, Gibson bounded in, breathless and flushed. "Hi teacher!" he said, rushing to give Monica a quick hug. "Can I be excused?" "A hug, huh?" Monica smiled skeptically. "Where's the apple, apple-polisher? You can't get out of school with just a hug!" Gibson smiled, and Monica thought it a very John-like smile. "Driver's ed. this afternoon!" he said breathlessly. "We just had a lesson in gun safety," John's voice boomed from the doorway. Monica looked up to see her beloved's silhouette leaning against the door jamb, the bright sun outlining every detail of his form. "And now he's ready to ride shotgun while I make some deliveries." Monica looked from one to the other and said, "How could I argue with that?" Gibson hugged her as John looked on appreciatively. "When will you be back?" she asked, the hint of nervousness in her voice apparent to all despite her brave front. Gibson moved aside as John went to her. He hugged her and kissed the top of her head. "Don't worry," he whispered. "I've got a damn good body guard." She wrapped her arms around his waist and he responded by leaning forward for a tender, lingering kiss. When he pulled away, John spotted the gibberish on the computer screen and raised his eyebrows. "Anything I should know about?" "I'll let you know," she promised. They kissed as if they might never see each other again, and parted only when Gibson sighed loudly. "See what I mean?" Gibson said with disgust, but Lita didn't share his sentiment. She was watching with awe and envy, and sighed when she saw the flush on Monica's cheek. "Bye, future wife," John said, smiling. "Bye, future husband," Monica responded with a sigh. "Are we going or what?" Gibson said from the doorway. **************************** CHAPTER 25 John backed the delivery truck to the bakery's rear entrance as Mary gave him hand signals and Gibson watched in his mirror. As soon as the truck was in position, Mary threw open its rear doors. John and Gibson looked over their shoulders and saw rows of boxes lined up waiting for them, with more being carted by industrious nuns. John picked up the first of the boxes and almost dropped it. Despite its small size it was very heavy. Heavy as lead, John thought. "Hey!" John shouted to Mary as she turned her back on him. "What's in these boxes?" "You know," Gibson grunted, struggling to lift a box into the bed of the truck. "Not like that, Gibson!" John flew to the boy's side and took the box from him, his own strong arms easily managing its weight. After giving Gibson a lesson in proper lifting technique, he helped him into the truck. Gibson enthusiastically lifted and carried box after box, arranging them in neat rows. After an hour, boxes began to pile on the edge of the truck as Gibson fell behind John's pace. John hopped into the truck and made quick work of the backlog then slapped Gibson on the back. "We could use some water," he said to the red-faced teen. They jumped down then went inside the sweet-smelling bakery. As the monastery bells rang, nuns filed out, leaving John and Gibson alone for a moment until Mary appeared with cold bottles of water. "I should have known I wouldn't have to ask," John grinned. The two hard-working men eagerly drank their water as Mary watched patiently. John wiped his mouth on his sleeve and sighed loudly. "Thanks, Mary. That hit the spot." Gibson wiped his mouth on his sleeve, imitating John almost too well, then said, "Yeah, thanks." "Here's your route," Mary said, pulling a piece of paper from the folds of her habit. "Each place gets the number of boxes indicated," she said, pointing to a few examples. "And here's where you'll stay tonight." John and Gibson looked at her with expressions verging on horror, but Mary continued as if there were nothing unusual in this overnight trip. "They're expecting you. They'll tell you where you'll stay tomorrow night." Monica sat at the computer trying to read more of the encrypted files, but soon was sighing in frustration. "Lita, I can't read this," she said in exasperation. "You'll have to tell me what you want me to know." Lita sat next to her, pointing to a few words and translating them as she went. "Flores.... family... Isla de las Mujeres..." Lita paused at the mention of the island, leading Monica to ask, "Was that your home? That island?" Lita nodded. "Flores family home since fifteen hundreds," she said. Monica was surprised to note the lack of an accent in Lita's voice. The girl continued pointing to isolated words then translating them, finishing with the last word, "Mayan." Monica studied the girl's features and suddenly realized she gave the appearance of having a Mayan ancestry. "Tell me more about your family," she said gently. "They were Mayan?" Lita sighed then started typing, adding to her encrypted file with amazing speed. Monica grabbed one of her wrists and pulled it up sharply. "Tell me," she demanded. "You want me to know, don't you? So tell me. Tell me instead of typing this... this...." Monica regretted her harsh words as Lita's eyes teared and her arm went limp in Monica's hand. "Lita," Monica said more gently, still holding her arm. "Don't you trust me?" Lita nodded, and Monica let go of her arm. "Then why not..." "She's doing the best she can," Mother Catherine's voice boomed from the doorway. Lita jumped up and ran to the old woman, wrapping her arms around her waist. Catherine stroked the girl's hair. "She's come so far..." she said, then lowered her voice and added, "Haven't you, honey?" "She'd have come a lot further if you didn't coddle her!" Monica said sternly. "Whatever she's been through she's ready to talk about it." "What do you know!" Catherine snapped. She turned away, turning Lita with her. "Come on, Lita," she cooed as they took a few steps toward the door. Monica grabbed Catherine by the arm and whirled her around. "Lita wants me to know. Why are you stopping her?" Catherine turned Lita to face her, and Monica could see a telepathic exchange between them. She closed her eyes and focused her thoughts on them, hoping to eavesdrop. But instead of the faces and events she expected to see, only misty, ill-defined shapes floated to her consciousness. Gradually one image became clear: a Mayan pyramid. She opened her eyes to see Lita and Catherine looking intently at her. "Pyramids?" Monica asked. "What does that have to do with...?" "December 22, 2012," Catherine answered. "The last date on the Mayan calendar." "What?!?!" Monica gasped. "The Mayans were expert astronomers," Catherine began explaining. "Yes, I knew that," Monica said with barely contained annoyance. "And their pyramids represent their calendar.. But Lita..." "Lita is the last of the Flores family," Catherine said, stroking Lita's back soothingly. "That's just their Spanish name, or course. Their Mayan name is Toltec. Lita's ancestors were the builders of the Pyramid of Kukulkan at Chichan Itza in the eleventh century. Lita's family has kept the traditions and knowledge of her people for all these centuries... And now...." Catherine gulped and hugged Lita. "Lita is afraid that if she dies, her family's secrets will die with her." Lita pulled closer to Catherine and buried her face in the old woman's habit. Catherine continued stroking her back then leaned close to Lita's ear and whispered, loud enough for Monica to hear, "It's okay, Rosalita. You're safe here." Monica watched for a moment then said, "But December 22 2012 isn't the end of the world, it's just the completion of the 12th bak'tun. There's a theory that the thirteenth bak'tun will bring the beginning of a new civilization, but it's just a theory. The Mayan civilization ended long before that date..." "And what new civilization do they think would come on that date?" Catherine snapped. Catherine's question made Monica pause for thought. Catherine continued, "And the hieroglyphics you translated earlier this year? How were you able to translate them so easily?" "Because they were similar to the Mayan glyphs I'd studied at Brown..." Monica conceded. "I only had two semesters of hieroglyphics. I'm no expert, but it was enough..." "Yes, I know," Catherine said, leading Lita toward the window seat. Monica followed, listening intently as Catherine continued explaining. "Pity that you didn't also study human paleography. Have you heard of the skulls found with elongated crania?" "Only in the paranormal literature I researched after joining the X-Files. There are theories that these crania come from alien-human hybrids, or possibly..." Monica stopped as she saw Catherine gently stroking the back of Lita's head. "You don't mean..." "Of course, modern human skulls no longer look like that," Catherine continued stroking Lita's head as the girl looked up at her. "Over the centuries this feature has disappeared, but their descendants are still quite special in other ways." "The alien theory has been disproved, though." Monica looked into the girl's face. "You look normal to me, Lita." She smiled sympathetically, but Lita merely looked to Catherine for help. Catherine continued to tell Lita's story, her eyes demanding Reyes' attention and taking it away from Lita. "When the Spanish came to the Yucatan, the Mayans sent their women and children to an island for protection." "Isla de las Mujeres," Reyes said. "It's coming back to me now." "Your fancy prep school didn't teach you about Mayan history," Lita said accusingly. "No, it didn't," Monica sat down at the opposite end of the window seat. "But it's never too late to learn." "The Mayans were special," Catherine looked affectionately at Lita for a moment, then added, "Very special. They were people of the Via, but they didn't need the Via to help them, until the Spaniards arrived." Monica bowed her head slightly, feeling the collective guilt of her adopted country's heritage. "Colonization... It's a cruel fact of history," Monica conceded. "It'll be even more cruel in the future," Lita blurted out. CHAPTER 26 John and Gibson spent the rest of the day driving from place to place delivering their goods. In exchange, each place offered something in return. By the time they stopped for the night they had amassed cash, clothing, canned food, and several mysterious boxes they were instructed not to open. Their stops along the route were as diverse as the packages they accepted. A male monastery, a casino on a reservation, a Goodwill drop-off trailer, and their last stop, an orphanage several hundred miles to the south. By now both were dead tired, thirsty, hungry, and read to collapse into any bed they could find, but Gibson's curiosity was piqued when he saw where they'd be staying. "I stayed here when I was a baby," he explained. "My parents told me about it." "The name sounds familiar," John said. He pursed his lips and stared at the sign. "Privacy First Adoption Agency," he muttered to himself. It sounded a lot like... "Yes, I think you're right," Gibson said. "Agent Scully sent William here." They were interrupted by a dour-looking man in a dated sport jacket. "I'm Father Pastorelli," he said, holding out his hand. "We've been expecting you." "Sorry, we're a little behind schedule," John said, shaking the man's hand a few times then quickly withdrawing it. "I'm new to the area, and..." "I got us lost," Gibson chimed in. "I told him to take a left at..." "Yes," the man said condescendingly. "Map-reading is quite a challenge for someone who usually relies on mind-reading, eh?" Pastorelli directed them to unload their boxes in the basement, then left to see that the children were all sleeping. After a half hour Doggett could see that Gibson was having trouble, and he had to admit to himself that the day had taken a toll on him. He collapsed at the top of the stairs, and only half-mockingly said, "If we try to finish this tonight I'll die in my sleep!" Gibson tried to laugh, but exhaustion had knocked the wind out of him as well. "Let's call it a night," John said. "Tomorrow morning you take the stairs." They tip-toed down the long main hallway, looking for their host. The ground floor seemed to be mainly common areas and offices, but no lights were on. John tried several door knobs until one opened, revealing a neat office, brightly lit, and decorated with soothing posters depicting rosy-cheeked children with smiling parents. Doggett glanced at the filing cabinets that lined one wall, and immediately noticed a drawer that read "2002: S - Z" Instinctively, Gibson went to the door, and whispered, "Go ahead. I'll be your look-out." Doggett looked at the boy, unsure whether to be proud or worried that he was so eager to help him with an illegal search. But his curiosity got the better of him, and he quickly found what he was looking for. He ran to the desk, grabbed a pen and post-it note, then scribbled William's new name and address. He went to the door and whispered to Gibson, "You didn't see that, okay?" "Okay," Gibson whispered with a smirk. "And you didn't see this." Gibson went to the drawer John expected him to, but then pulled open another drawer and handed a file to John. John opened it then instinctively closed it again. "I don't know if we should," he said. "Monica would want to be consulted...." "When will we have another chance?" Gibson asked, sounding a little too much like Monica for John's comfort. He looked through the file. It contained an original birth certificate, the new birth certificate, and detailed notes on both sets of parents. John unbuttoned a few buttons then shoved the file under his shirt. "Let's get out of here," he said to Gibson, who was bent over a file cabinet. Gibson pulled out a file and handed it to John. "Can we take this one too?" he asked plaintively. John glanced inside and, seeing the name "Praise," said, "Sure" and slipped the file under his shirt. "This is all just too much of a coincidence," he said. They quickly retraced their steps back to the truck, then John slipped the files under a floor mat. "Well, Gibson," he whispered. "What do you think? Did they intend for us to find these files?" Gibson scanned the wall facing them, then answered, "I don't know." Suddenly their host came bounding out. "Finished?" he asked, then not pausing to wait for an answer, he said, "Good. Your rooms are ready." Their rooms were stark, white cells, the only furnishings twin beds with white wrought iron headboards and a small dresser. "I'll be next door," John assured Gibson. He gave him a light, friendly punch in the arm and added, with a broad smile, "See you in the morning." They both knew that Gibson saw through the comforting chatter, but Gibson played along. "Seeya," he grinned weakly, then turned toward his room. As he stripped off his jeans and t-shirt, John's mind ran through a dozen questions. Was it a coincidence that all three had been adopted here? Was that office intentionally left open? Was this the source of the leak that had led Gibson's parents to the monastery? Three hours later he was still awake, the same questions going through his mind as he stared at the ceiling. But one question was particularly nagging: how many of these children were there? He got out of bed, dressed, and sneaked down the hall, where the childrens' rooms were. Each door was locked, but through tiny windows John could make out the sleeping forms of seven children. At the end of the hall stood a wide room lined with identical cribs on the far wall. John tried the door and it opened noiselessly. A woman in a nurse's uniform jumped up and ran silently to the door. "What are you doing here!" she scolded. "Don't wake them up!" "I just wanted to see them," he pleaded. "I love babies." He could tell she wasn't convinced, but he went to one of the cribs and leaned over, bringing to his mind as much love and awe as he could muster, remembering Luke in his crib. "These babies.... Why are they here? What happened to their mothers?" he asked, lightly stroking the back of one infant's hand. The nurse stood at his side and whispered, "I don't know. I only work here. Once they come through this door, their past is erased." She sighed as he continued stroking the soft skin of the sleeping child. "Precious, aren't they?" A whimper from the far end of the room caught the nurse's attention, and she started for that end. "Let me," John said. "Please?" Within minutes he had expertly diapered the little girl and had earned the trust of both the baby and the nurse. "You must have children," the nurse said. "I had one," he sighed. "A boy. He died several years ago." He seemed not to hear his own words as he cradled the baby and rocked from side to side, stroking the fine hair on her head. "It's been a long time since I diapered a baby," he said, his eyes glistening. "Thank you." As he laid the baby down the nurse put a hand on his arm. "I'm so sorry," she said. "I can't imagine how anyone could have given her up," he said, his voice more gravelly than usual. "It just don't make sense." "Want to talk about it?" the nurse asked. Without waiting for an answer she led him to an alcove where two rockers faced each other. "I'm no mind reader, but I can tell you have something on your mind." He grinned at her mind reading comment, not sure whether to laugh or run. "A friend gave up her baby a few months ago," he began. "I tried to be there for her, but..." The nurse rocked slowly and nodded. "But you disagreed with her decision?" He nodded and lowered his head, seemingly engrossed in the lined on the back of his hands. She lowered her voice, as if afraid that the babies might hear her, and said, "That's why we have such security here. Sometimes the fathers come looking for their babies. We've had several kidnaping attempts." John's head snapped up at the mention of kidnaping. Of course, he thought. This is what they need the magnetite for. They're not distributing it. They're using it. Misreading his expression the nurse went on, "And some successes. I know," she said, acknowledging his expression." It's awful. Just awful." She stood up and went to the window overlooking John's delivery truck, then returned to her rocker. "I know what you were delivering. Thank you," she said, patting his arm. "You're doing a good thing." He grinned and looked around the room, imagining William occupying one of these cribs not long ago. "How long do children stay here? The babies especially?" he asked with feigned casualness. "It varies," she said, happy to switch subjects. "But usually no more than two or three weeks until the paper work is finalized." The growl of an engine and the crunch of gravel beneath them caused both to run to the window. "Not again!" the nurse moaned. "Do you know how to use a gun?" she asked breathily as she reached into a cabinet. John nodded and accepted the .357, and when the door opened and Gibson appeared, clad only in his underwear and t-shirt, he nodded for him to approach. "The kid's a pretty good shot, too." CHAPTER 27 They ran down the stairs and were joined by their host, who threw open the rear doors, revealing two men in dark suits picking the locks. "STOP OR I'LL SHOOT," Doggett shouted, his law enforcement training taking over. At the sight of the guns the men smirked then took a few steps forward. The nurse was the first to fire, shooting one of the men squarely in his Adam's Apple. The man gasped but continued walking toward them, until Pastorelli shot him in the center of his chest. He crumpled to the floor and immediately began dissolving from the wound in his neck, followed by a deflation of the clothing over his chest. The other man ran toward Doggett and tackled him, football-style, knocking him to the floor. With superhuman strength he rolled over, facing Doggett toward the others, then leapt to his feet, keeping Doggett in front of him as a shield. "GIBSON!" Doggett yelled. "Shoot him in the head! Do it NOW!" Without pausing to think, Gibson raised his gun and shot the attacker squarely in the forehead, as Doggett lunged to one side. The force of the bullet knocked the man backward and into a wall, leaving Doggett to twirl take a shot of his own. The man slid down the wall, his head lobbing to one side and dissolving as quickly as his companion's. Pastorelli nodded to the nurse, who grabbed latex gloves from a cabinet and passed them around. Within minutes the men's remains had been poured into their car. Pastorelli pulled a cellphone from his pocket then hit a few numbers. "Got another one," he said curtly. He slipped the phone into his pocket then signaled to his nurse. Together they began pushing the men's car toward the rear of the complex. "Wait!" Doggett cried out. He ran to the car and reached into one of the men's jackets. He pulled out a flat object then flipped it open and showed it to Gibson. Even in the dim light of the moon Gibson could make out the bold capital letters: FBI. Pastorelli reached for the other man's identification. It read "INS." "Immigration?" Doggett asked, his brow furrowed into deep ridges. "What are they doing...?" "What's the FBI doing here?" Pastorelli answered. He nodded to Gibson to help the nurse push the car then turned to John. "It doesn't matter what agency these IDs are from. You won't find either of these men in their records. Even if they once existed, their entire history, from birth onwards, will be erased by morning." "Who were they after?" Doggett asked, looking up to see half a dozen young faces peering down at them from dormitory windows. "One of the kids?" "All of them," he answered. "Or maybe that one," he said, nodding toward Gibson. "We've learned it's best to shoot first and ask questions later." Doggett watched Gibson disappear into the shadows with the car, then looked questioningly to Pastorelli. "Someone came for him yesterday." "His parents," Pastorelli nodded. "We don't know where the leak was, but it wasn't here." John saw Pastorelli's eyes on the nurse and Gibson as they emerged from the shadows. "But just in case... Keep your mind on something else." He handed John the super soldier's I.D. and said, "You might need this some day." The next morning John and Gibson unloaded most of the rest of the boxes that had been in their truck, and loaded into it several boxes that Pastorelli described only as "For the nuns." When they were ready for their day's deliveries, Pastorelli shook both John and Gibson's hands, then glanced up at the second storey windows. John and Gibson waved to the nurse watching from the nursery, as Pastorelli took a few steps toward the rear door. The nurse turned away, and the pair got into the truck. As they were backing up, Pastorelli rushed out. John rolled down his window and Pastorelli reached in to slip a computer disk into John's shirt pocket. "You will have more questions. I hope all the answers are here." He glanced up at the nursery window, and seeing nobody there, he added, "Don't come back here." John's questioning look made Pastorelli glance nervously at the windows then whisper, "We have a plan. Don't worry about the children." Before John could answer, Pastorelli ran back to the entrance and slipped inside. The nuns took advantage of John and Gibson's absence to throw all their energies into wedding preparations. Monica and Lita selected patterns from a sewing book, and the nuns immediately set to work making their dresses. Monica's would be a spaghetti-strap A-line with an old-fashioned bustle in the back from which a silk trail would hang. Rose-red ribbons would form the trim and the spaghetti straps, and tiny silk roses would be embroidered into the bodice. Her veil would be held by a tiara decorated with roses from the courtyard, the same ribbon that decorated her dress, and rows of imitation pearls. Lita's would be silk as well, and decorated with the same rose-red ribbon, but the main fabric would be a floral print: red and pink roses on a white background. Her hair would be tied up with the same ribbon. The bouquet would be the rest of the roses from the courtyard, with the same ribbon, mixed with white and pink ribbon matching Lita's dress, holding the flowers together. But even amidst the excitement of the wedding plans, Monica insisted that Lita continue her studies. She suspected the rush to get them married and the sudden need for John and Gibson to make deliveries meant their stay was going to be over soon, and she wanted Lita to be ready for her GED exam. The girl showed surprising ability but even more surprising was her lack of education, even from the nuns. Although Lita was becoming more comfortable with Monica by the hour, Monica suspected that neither she nor the nuns would admit the reason for Lita's lack of education: that they didn't expect her to live long enough to need it. Lita seemed to sense the hope behind Monica's schoolmarm ways, and blossomed into a stellar student. On the third day of John and Gibson's absence, the dresses were nearly complete except for a few minor alterations, and Lita had passed a sample GED exam. They stood together atop library tables as able fingers passed threaded needles dangerously close to their flesh. But by now they had learned to calm themselves, and each other as each stitch taught them courage, patience, and cooperation. Suddenly the door opened and John's voice rang out, asking, "We're back!" "John!" Monica gasped. "Get out!!! Don't you know it's bad luck...?" "Bad luck!" he said, shaking his head in disbelief. "How can you believe in..." Before he could finish, Lita had run to his side and grabbed his hand. She pulled him backwards and out the door, and Monica hoped she would always remember the surprise on his face as he nearly lost his balance from the force of the girl's grasp. "Is Gibson here?" she asked excitedly. John smiled, proud of both Monica and Lita for the girl's newfound openness and trust with him, and pleased for Gibson that his first girlfriend was so smitten with him. His free hand covered the hand that was holding his other hand, and he shook her hand lightly. "Yes," he grinned. "And he has something for you." "Where?" she cried, pulling on his hands. "Is he at your cottage?" "Yes," he said. He put his hands to the sides of her head and bored his eyes into hers. "And be sure to tell him thank you -- don't just think it! Even a guy like Gibson needs to hear a thank you from his lady." Lita promised to do as John said, then bounded across the courtyard. John watched her for a moment, then turned to see a jeans-and-T-shirt clad Monica, her hair pulled back under a faded bandana, emerging from the doorway. "Thank you," she said, going to him and wrapping her arms around his waist. "What for?" he asked hugging her closely. "For everything. For being you," she tilted her head upward for a kiss and he obliged. "Want me to be more specific?" He pulled her closer and whispered close to her ear, "I'd rather give you something to be grateful for first." "Miss me?" she asked flirtatiously. For an answer he nuzzled her neck, making her sigh loudly. "I missed you too," she said, all traces of flirtation gone. Minutes later they were in their bed, naked from the waist up and tugging at each others' jeans. "Wait..." Monica said. "Where's Gibson?" John sighed in frustration and rolled onto his back. "I don't know. He's with Lita." She reached for her shirt and started putting it on. "You're going to check on them?" he asked. "With all these mother hens around?" "I can't help it," she said, running her fingers through her hair. "I just want to see him..." He pulled her backwards, and she let him. "He's fine," he assured her. "They're fine," he assured her, undoing her top button as she buttoned the bottom one. "We've had a little talk, and he knows when to stop." "I had a little talk with Lita too," she admitted. "But that's not it..." She gave in to his gentle hands tugging on her shirt. "I missed him ..." John stopped tugging on her shirt and he sighed loudly. "He's a good kid. You'd have been proud of him." "Why do you say that?" she asked. He reached for his shirt and started putting it on. "We encountered some super soldiers at one of our delivery stops." He told her the whole story, then reached into his pocket and withdrew the computer disk. "I haven't had a chance to look at this. Your file is still in the truck, though, if you want..." Monica went to the door then looked over her shoulder. "Coming?" They walked hand-in-hand to the garage, Monica assuring John that she was indeed ready to learn the truth about her birth parents, even though she wasn't entirely sure. When they reached the garage, John paused at the door and asked, "Are you ready for what you might see?" Monica gritted her teeth and nodded. "Ready as I'll ever be." John opened the door, flipped the light switch, and they saw Gibson and Lita, standing against the rear of the truck, startled out of what looked to be a deep and passionate kiss. The four stood staring at each other, all equally red-faced. Finally John broke the silence, saying, "Just getting something... it'll only take a minute." When he passed by the teens he whispered from the side of his mouth, "Hands above the waist, Gibson." Monica followed John and looked into Lita's pink face. "You, too, Lita," she said sternly. John opened the door of the truck and reached under the floor mat, then pulled out two manilla folders. "Here it is," he said, holding it in front of her. "Want to see it now?" Taking a deep breath first, Monica reached for the files. She opened one and skimmed the contents, then closed it and said, "This is all fake." "What?" John said, grabbing the file and opening it. "How can you tell?" "The names," Monica explained, disappointment evident in her voice. "Elizabeth Ann Borden? Thomas Dooley?" "What's wrong with those names?" John asked, genuinely puzzled. Monica started singing, first the Lizzie Borden song, then the Kingston Trio song about Tom Dooley. "Hang down your head Tom Dooley, hang down your head and cry. You killed poor Laurie Foster, and you know you're bound to die." "They're common names," John pointed out. "Yes, but they're also the names of murderers made famous in song," Monica responded. "And in the adoption records it says that both parents are in prison" She sighed then opened Gibson's file. "Well," she said with some doubts. "Gibson's natural parents are..." she looked down to read the names. "Daniel Thomas and Donna Reed?" John grabbed the file from her in disgust. "What?" she cried. "You *are* young," he said, throwing the files onto the driver's seat.